So I recently was in a group show with some of my good friends for my last show in Pittsburgh, PA before I head off to grad school at CCA. It was especially important to me since I had my first major exhibition at Unsmoke Art Systems, and here I was again three years later for my last. Unfortunately I ran into a lot of health problems during install so I wasn’t on my top game, but I’m glad to say the work came out exactly as I had hoped. In the end, a total success! I am eternally thankful for friends and family who helped me with this install.
Posts from the Pittsburgh Category
Choose another category?
Hey, all. So if you know me personally, you know why I make art. But a lot of people out there don’t know my story. Actually, even some people who I consider close friends still don’t really understand what it means when I say that I have a heart transplant. So I’ve added a video page to my website, where I will be posting all major video features that have been done of myself and my work.
I invite you to take a look and watch a few. I have been living with a heart transplant for over 23 years now, and that affects my world in ways that I can’t even begin to explain. A main reason I began making art is because I cannot truly put into words how I feel about it all. If you watch any, feel free to send me any feedback, comments, or questions.
I am very open about my medical experiences and want to educate as many people as possible about what it is like not only to be a transplant patient, but also an artist working with a medical disability.
or paste this link:
So a couple months ago, I strolled into LUXE Creative‘s offices to visit my friend Martin and ask for some lighting advice for an exhibit. I walked out with my advice, plus the possibility of a project to create an immense paper flower wall for a wedding. I had never done one before, nor had I ever made a paper flower, but I thought this would be something fun and different to do.
Now, four months later, I finally finished up! LUXE Creative was doing work for the wedding that was planned by Shari Zatman of Perfectly Planned in Pittsburgh. We were set to install at the Heinz History Center. I began work immediately, and looked at a number of patterns other DIY makers had used. I also trusted my Cricut Explore for a little help too- it’s a cutting machine but it also comes with a number of cutting inspiration patterns. In the end, I created my own flower designs that worked for this particular wall. It is also entirely handcut, which is what sets it apart from anything else you’ll find out there. I’ll post those later this week! Let me just say, Martin, his team, and I put in some intense hours during install day. There were many bumps in the road, but I was extra confident and determined to make this the most beautiful thing in the room, well besides the bride of course!
Here it is, standing at 12 ft high x 20 ft long (original designs called for it to be 16 ft high) and over 100 lbs in weight thanks to the amount of paper. It took four months of cutting every single day, except for one week where I ended up slicing a hole through my finger (ugh).
So that’s that! This year has handed me two huge projects and I am so proud to say that no matter what my health threw at me (after install I wasn’t able to walk for a day because of circulatory problems in my legs), I got the job done! I have to thank everyone who helped me along the way, because one person can never handle anything alone. Thanks to everyone, xoxoxoxoxo
It’s all about the details for me in papercutting. When you’re making work like mine, that’s so repetitive and consists of mostly one, patterned image, you must get detailed in order to give your viewer some surprises. In my latest installation, Vascular Caverns, I created my largest papercut work yet: a largescale installation that formed a cavern comprised entirely of handcut paper. It took the longest, but was one of the shortest installations thanks to a solid month of prep! Once it was up on the wall, I ended up cutting out more and more pieces just to give that extra touch. So, for all you type A personalities and detail oriented creators, I have posted detail photos of the installation! Have fun detail hunting!
On April 24, after 5 months nonstop of papercutting, I opened my biggest show yet called Vascular Caverns at 707 Gallery in Downtown Pittsburgh. The idea was one that I always had with me, so somehow I had to plan out covering a whole entire gallery in entirely handcut paper. I knew I wanted it to be meditative, so I created a cavernous space, and included a smaller, secluded cavern within the gallery that viewers could step inside. It was a huge success and it’s on view for some time. If you are in the Pittsburgh area, come see it! At the end of the exhibit’s time, I will be burning the entire installation during a performance piece- more info to come!
It’s been ages since my last post. But that doesn’t mean I haven’t been working on some things! At the beginning of January, I came out to Oakland, CA so that I could start my time as an artist in residence at the Kala Institute in Berkeley! The Greater Pittsburgh Arts Council awarded me a grant that helped me to finally follow one of my passions that I sometimes forget: printmaking.
So, from January to February I will be doing a whole lot of etching (on copper plates) and maybe some screenprinting. All my extra time will be devoted to prepping for an upcoming Solo Show at 707 Gallery in downtown Pittsburgh and exploring the Bay Area.
What have I made so far? A few prints and many more tests and experiments with paper! I’ve been printing on sheets of rice paper (not pictured) and different thicknesses and it’s going surprisingly well. These images shown are my interpretations of my cutouts into two dimensional prints. Next step is to incorporate papercutting! There’s a little shop in Japantown in San Francisco that sells all kinds of rice papers and I think that’s where I’ll begin my papercutting experiments.
New piece I installed this past week into the Mine Factory for the show “I Just Want the Paper,” curated by Ikechukwu Casmir Onyewuenyi. For this piece, I handcut rice paper and added in details with graphite. Normally, I’m adding wax, burning paper, or adding a jumble of processes into the sculpture. But this time it was just me, my knife, and the paper. Relaxing. A relief, actually. It was as though I was challenging myself to get back to papercutting basics.
Even more of a challenge was examining the space and adapting the piece to it. Install week was renamed papercutting week in my book since I had to make an extra 400 cutouts in 48 hours. And this is the final product!
Things this month have been absolutely amazing and absolutely busy! I am proud to announce that I am the Grand Prize Winner of the 2014 VSA Young Emerging Artist Program with the Kennedy Center in Washington D.C.! This year’s theme was “The Journey,” and prompted artists to submit their work that concerned their own personal journeys living with a disability. With this award, my piece is exhibited in the Smithsonian in Washington, it is also part of a nationally traveling exhibition, and I receive a cash prize of $20,000. I have been invited, along with the other 14 winners, to attend a Congressional Reception in January so I’m already starting to plan my outfit! I am extremely honored to be receiving this award and am so excited to see what this next year holds for me.
My winning papercut sculpture, Never Stopping, deals with my experiences as a heart transplant recipient, specifically the overwhelming feelings related to my physical issues as well as the desire for healing. The entire original sculpture is about 16 ft in height and is made entirely of handcut paper. I also added screenprinted cutouts of hands, legs, oranges, and bananas. These symbolize offerings and milagros, or physical representations of intentions. The idea behind it was for the viewer to become overwhelmed with the structure, in order to mimic my own feelings. For the Kennedy Center, I brought the piece down to a smaller scale, which you can see in the photo.
My transplant is a major part of my life, and I am open to any questions readers might have. I received my heart at the age of 14 months at New York Presbyterian Morgan Stanley Children’s Hospital. That transplant team became my family, and I am always going back every now and then to visit. They still follow up with me and my procedure results even though I have switched to the cardiology team at UPMC Children’s Hospital. Right now, I still have my original heart making my transplant one of the oldest single organ transplants in the country.
This past week, I opened a show in Oakland, CA for First Fridays. It was so much fun and my first exhibit on the West Coast! I had a bit of help with some of the bigger installation, and for the first time went on scaffolding. Since I’m a short little lady, I was terrified of being so high off the ground. But I did it and everything turned out so perfect. Really, I don’t think I’ve ever had an easier install and it’s all thanks to the awesome, generous people from the gallery. There’s an espresso bar connected, so I suggest to anyone from the area to stop by! The show is at Hat Rac Gallery up from June 6- July 25.
Boys setting up the scaffolding.
Gold and black cutouts going up on the wall. Yes, they’re all handcut!
These photos are from the week before my show in Oakalnd at Hat Rac Gallery. There are always last minute things to get ready, and I was still making work up until the end. Some pieces shown didn’t make it into the show, but instead just stayed home being beautiful.